If you watch a show from week to week, you will find yourself repeat viewing individual favorite scenes or characters, but many times, you will watch and then move to the next episode. You may talk about the show around the real life or virtual water coolers that are available to all of us through social media.
Sometimes, though, you have to really watch something twice to get what is subtly in the story and on the screen. There may be clues missed or just subtle shadings and line readings that can change your initial opinions of that episode. I’m working on a blog post called SECOND LOOKS about the ability to revisit and re-evalute films, TV, books, and music that you’ve either experienced previously or, for some reason, you’ve dismissed as not in your entertainment wheelhouse.
Some episodes of FALLING SKIES deserve a similar “second look” because your first look may be a bit deceiving. Never has there been an FS episode more deserving of that revisit than STRANGE BREW. In structure, it basically plays with a main act with two other story arcs following along. These arcs intersect but each are set up in starkly different styles.
The STRANGE BREW episode of FALLING SKIES starts off in an unusual way and proves to be the most different in style and story of the series. And yet, it is in perfect keeping for what I and so many others see in a show that is far beyond aliens vs. spunky humans. The show opens with what is essentially a “theater of the mind”, a blank screen with only sounds from previous 2nd Mass battles coming in surround sound to your speakers.
The black screen forces you to pay attention to both what you are hearing as well as what you are not seeing. As the blackness slowly fades up to a close-up shot of Tom Mason, the sounds you just heard help to emphasize the next scenes even more. As the fade up begins and the battle sounds depart, we are not left with a shot of Tom in Epsheni captivity or of 2nd Mass action, but instead, it is a domestic husbad Tom, waking up next to his wife, in his nice home, with his loving family. It is both a reset of what we’ve seen from the Masons since episode one as well as a contrast to the tone of the whole series.